An art historian has identified a missing portrait of King Henry VIII after spotting it on social media.
British fine art researcher Adam Busiakiewicz was idly scrolling on X when he was stopped in his tracks by a post from somebody he follows.
The post was a photograph shared by Tim Cox, the Lord Lieutenant of Warwickshire – an honorary position representing the British Crown in the central English county. It showed a gathering at a reception in Warwick’s Shire Hall, where Warwickshire County Council is based.
The distinctive frame was one of the features that helped identify the painting as the missing portrait of Henry VIII.
The distinctive frame was one of the features that helped identify the painting as the missing portrait of Henry VIII. Adam Busiakiewicz
But Busiakiewicz wasn’t interested in the people smiling at the camera. His focus was on the background where, hanging on a wall, was what he suspected was a missing portrait of the Tudor monarch Henry VIII.
In a post published on his blog earlier this month, Busiakiewicz said he had been “scrolling at speed” when he spotted the painting “with a distinctive arched top” on the wall.
He was immediately reminded of a series of 22 portraits commissioned by a local politician and tapestry-maker during the 1590s.
According to Busiakiewicz, Ralph Sheldon commissioned the pictures – which were mostly of kings, queens and “significant contemporary international figures” – to hang in his home, Weston House in Warwickshire. The reason they had arched tops was because they “were once incorporated into an architectural frieze of the Long Gallery at Weston,” Busiakiewicz said.
In a press release sent to CNN, Busiakiewicz said the arched top was a “special feature of the Sheldon set,” while the painting’s frame was “identical to other surviving examples.”
The painting also showed the king holding a sword and wearing a feathered hat – just as he appeared in an engraving of the Long Hall made by antiquarian Henry Shaw in 1839.
The series of portraits was later dispersed at auction and “the majority remain untraced to this day,” according to Busiakiewicz.
After making his theory public, Busiakiewicz visited Warwick’s Shire Hall together with local historian Aaron Manning to see the painting close up. “The portrait is large, and completely in-line with the other Sheldon portraits,” Busiakiewicz wrote in a later blog post, on July 22.
In a telephone call with CNN, Busiakiewicz revealed that this was not the first discovery he had made thanks to social media. In 2018, he stumbled across a picture a friend had taken at a wedding and posted on Instagram. It featured a portrait that he identified as the work of 17th-century female artist Joan Carlile.
“Social media is a crazy thing,” Busiakiewicz told CNN, “because some people use it to watch cat videos and follow what’s going on in the world, and then people like me just look at what people have hanging on their walls.”
The biblical Rembrandt is expected to fetch up to $18 million, according to auction house Sotheby's.
A spokesperson for Warwickshire County Council told CNN in an email that Busiakiewicz and Manning approached them about the painting and arranged to come and see it.
“Adam and Aaron viewed the painting at Shire Hall, and have confirmed they think it is definitely one of the Ralph Sheldon commissions,” the spokesperson wrote.
“Since this discovery, the painting has been moved into our Museum Collections Centre to allow further research to take place.”
Busiakiewicz told CNN that the identity of the painter is not known, but the creator of the portraits is “sometimes referred to as The Sheldon Master.”
He is now working on trying to establish the painting’s provenance. It was acquired by the council as recently as 1951 but there are gaps in the records.
“Provenance is always such a really tricky thing - it’s very hard sometimes to find, particularly when pictures are sold privately. But there’s no doubt that this is Ralph Sheldon’s painting of Henry VIII,” he said.
“Looking at paintings and pictures of paintings is my life and it’s great fun, particularly when you can in some way right a historic wrong, let’s say. Pictures that are overlooked, pictures that aren’t appreciated as much as they might be.”
